TO COME across a passionate advocate of a particular cause can be uplifting: a film made by an expert on the natural world, perhaps, or an astrophysicist on the wonders of the solar system. The enthusiasm bubbles over and can often open windows for the curious but hitherto uninitiated to look further into the particular field and experience more.
For those with some knowledge or experience of the world of liturgical choral singing, Timothy Popple’s enthusiasm comes as if in conversation with a like-minded friend or colleague to share insights and observations, happily reinforcing the tales of joy, along with some of the trials and tribulations. The hope is, though, that this enthusiasm and in-depth exploration made from inside the motor of the choral world can also entice and enthuse those who may be more or less on the periphery or the outside.
The unique experience of growing through the training and development that are to be found in our prized choral tradition is described and displayed with affection and also admiration. The multi-faceted education provided for the young chorister is passionately commended. The sense of community, the commitment, the discipline, but, above all, the reward and “buzz” that come from the regular performance and outlet of expression are all vividly described. Alongside this are the more internal mysteries of the fascinating world of the lay clerk, the choral scholar, and the team as a whole.
In basing the story on the sequence of evensong, Popple broadens each component part to include detailed description of some of the poignant repertoire and of the special demands of the liturgical calendar. There are behind-the-scenes tales of choir life alongside well-researched experience from all corners of the English choral scene. There are, of course, regular expressions of the camaraderie and mutual support that come from visiting a local hostelry after work is done.
This is a good-natured and positive exposition of choir life, embracing the sizeable demands made on domestic and professional time for adult singers, along with the balancing of school time for choristers. This dedication and energy are the backbone of many choral foundations, but Popple describes the life with a sense of fun and enthusiasm, openly enticing others to take part.
Welcoming guest contributions from colleagues broadens the horizons from the choirstalls themselves, and the book affectionately addresses all colleagues. I can only hope that his positivity communicates itself not to among his musical colleagues, but, most importantly, succeeds in spreading wider awareness of this precious tradition and all that it offers.
David Flood was Organist and Master of the Choristers of Canterbury Cathedral, 1988-2020, and President of the Cathedral Organists’ Association, 2016-19.
Evensong: Notes from the choir
Timothy E. Popple
Quires and Places £17.99
(978-1-0684274-2-8)
Church Times Bookshop £16.19
